Wednesday, April 12, 2017
I came down with a bad head cold this past Friday evening, and was still sufficiently ill on Monday to have to cancel that day’s classes. One other unfortunate consequence of my illness is that I had to miss the memorial service for John Harris at Beyond Baroque this past Saturday. Even though I wasn’t there, however, I found an example of his impact on the larger community of poets, musicians, and artists as I tried to do a bit of research for a paper I’m working on about the early days of punk rock music in Los Angeles. Chris D., who edited an anthology in the mid-70s entitled Bongo Chalice, recollects seeing the first issue of Slash magazine in — you guessed it — Papa Bach Bookstore in 1977. It was completely John’s store by that point, and his choices shaped the entire zeitgeist that the store palpitated. I took a look at the clock on Saturday as I read Chris D.’s assessment of the store as “bohemian”: it was a few minutes past 5:00 p.m., and John’s memorial service would have been just wrapping up. I heard from Michael C. Ford a couple days ago that George Drury Smith spoke at the gathering and said that while Joseph Hansen provided the intellectual edge to the early days of the Wednesday night poetry workshop at Beyond Baroque, John Harris as its co-founder was the heart of the gathering. He was also its designated driver, in that Joe Hansen was like Ray Bradbury and refused to own or drive a car, and had held out against driving ever since coming of age in Los Angeles. If John had not provided Joe with a ride to the workshop, I doubt it would ever have sustained itself.
I suppose I should be grateful that my indisposition at least waited until Friday to make itself felt. Several weeks ago, Kim Dower, the poet laureate of West Hollywood, asked me to read with a half-dozen other poets at the West Hollywood Public Library and to write something on the theme of Sunset Strip, 1967. The reading was scheduled for Thursday, April 6, and by the morning of the day before I still hadn’t written anything. With only 36 hours left before the reading was to begin, I sat down and got to work on a sonnet, which I had to complete by mid-morning so that I could leave for campus. I got it done and was pleased enough with the effor that I dedicated it to Laurence Goldstein, whose Poetry Los Angeles is the best book around on the theme of this city as an omphalos of poetic inspiration.
The reading went very well and all the poets enjoyed reading with one of the most glamorous backdrops that any of us could ask for. I had no idea that we would be provided such as shimmering setting. I was delighted to see Audri Phillips in the audience, and the esteemed music critic Steve Hochman came up afterwards and introduced himself. There was some awkwardness at the end as the poets headed off to a small get-together about who could be there. If someone named Halley (who seemed as if she possessed a tender poetic spirit) is reading this, my profound apologies for your discomfort.
Group shot : https://www.flickr.com/photos/weho/33832596251/in/album-72157679206949583/
All photos: www.flickr.com/photos/weho/albums/72157679206949583
About Bill Mohr