Monday, July 2, 2018
“The West Coast as a Literary Capital: Independent Publishers as a Contumacious Canon of Underground Poetry” — William Mohr
La côte Ouest comme capitale littéraire : les éditeurs indépendants, vecteurs d’un canon irrévérent de la poésie ‘underground’
La costa Oeste como capital literaria: los editores independientes, agentes de un canon irreverente de la poesía ‘underground’
The revised paper I gave at a conference in Dijon, France has just been published in a trilingual (French, Spanish, and English) magazine published on-line in France. The issue contains a total of a dozen articles which were all originally presented at the conference. In addition to the superb introduction by the editors, Fiona McMahon et Paul-Henri Giraud, I would especially recommend the following articles:
Kamila Benayada
“Redefining Modernism: Stuart Davis’s Cold War Champion series”
Anna Aublet
“Bill & Carlos : les Amériques de William Carlos Williams”
Isabelle Pouzet
“Arts visuels et stridentisme dans la revue mexicaine Irradiador (1923)”
Marcos Rico Domínguez
“L’échec et la splendeur : les allégories du baroque moderne dans l’œuvre d’Octavio Paz”
François Hugonnier
“Reassessing Modernisms in Light of Jerome Rothenberg’s Work”
Smaro Kamboureli
“Opera in the Arctic: Knud Rasmussen, Inside and Outside Modernity”
https://journals.openedition.org/ideas/2271
http://www.institutdesameriques.fr/fr/article/revue-ideas-modernites-dans-les-ameriques-des-avant-gardes-aujourdhui
About Bill Mohr